Cobbett's Wey Decorative & Fine Arts Society
Cobbett's Wey Decorative & Fine Arts Society
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27 September 2017Riviera Paradise: Art, Design and Pleasure on the Cote d’Azur in the 1920s and 30s
18 October 2017Wedgwood, Catherine the Great and the Frog Service
22 November 201720th Century Glass: New Markets
13 December 2017That Pretty German Toy: Thoughts on the Christmas Tree
24 January 2018The Seven Wonders of the Ancient World
28 February 2018Cartier: Jeweller of Genius
28 March 2018Auctioneers Tales: Twenty-Five Years in the Art Market
25 April 2018Klimt and the Viennese Secession: A Kiss for All the World
23 May 2018Three Andalucian Cities: Cordoba, Seville and Granada
27 June 2018Celebrating the Royal Academy of Arts: Its 250th Anniversary, 1768-2018
26 September 2018Les Parisiennes: How the Women of Paris, Lived, Loved and Died in the 1940s
17 October 2018Pearls and Pomegranates, Peacocks and Pipes: The Hidden Language of Renaissance Art
28 November 2018Indestructible Theatre: 1900 to Now
12 December 2018Wonder Workers and the Art of Illusion

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Riviera Paradise: Art, Design and Pleasure on the Cote d’Azur in the 1920s and 30s
Mary Alexander
Wednesday 27 September 2017

In the early 1920s an intoxicating mix of artists, writers, musicians and international visitors inspired by a mythological seascape of luminous colours created a new summer season.  Sun tans and sportswear soon became 'de rigueur' in the chic new coastal resorts, villas and hotels. Chanel, Cocteau, Dufy, Matisse and Picasso merged the worlds of fashion, theatre and interiors. Cole Porter, Scott Fitzgerald and Gerald and Sara Murphy introduced an American perspective and attracted an influential new set of patrons and collectors. We will 'time travel' to meet them!

Mary Alexander has 30 years experience as a lecturer with a BA in History and History of Art and an MA in History of Art from University College, London. She has been a visiting lecturer at Christie's Education and the Open University and museum curator at Platt Hall, the Gallery of Costume in Manchester. Mary is now a freelance lecturer to various arts, heritage and antiquarian societies and the author of various articles on design and visual awareness issues.